Hello everyone, welcome. Today I am going to scratch the surface of something that can help your writing. Disclaimer, this post contains affiliate links.
Have you ever noticed that when you are reading a story or watching a TV show something just clicks in it, and even though part of you feels like it is rubbish, something is just working for you? I get that when reading stories or watching stuff that has a modern setting, but that links back to the past in some way. Stargate SG1, the TV show, does this in that the antagonists style themselves as deities whose advanced technology looks archaic. The Vampire Diaries TV show (and presumably books) have a contemporary story with a plot thread set in the past. The Katharine Kerr Deverry series of books is a High Fantasy Series set in one period, that frequently loops back to the previous incarnations of the main characters.
It occurs to me that I have nostalgia, or even romantic notions, related to the past. The reasons why aren’t really important, only that it is true. Nostalgia is the reason I watched three seasons of the Vampire Diaries before becoming utterly bored. Nostalgia is one of the reasons I am on my third complete run through of my Stargate SG1 DVDs.
For me, a link to the past is appealing as a plot device. The plot tugs on my emotions, overriding sense (not necessarily in a bad way) and gives me a pleasurable experience in consumption of the media. Nostalgia is the ally of the Writer against my resistance.
It is an ally any writer can make use of. The theory is simple, and should be something a writer is doing anyway. It is part of your audience research. Who are your audience? What do they like? What do they have fond memories of?
More importantly can you legitimately get any of that into your plot?
At its most basic level, you are using the Pathos appeal of Rhetoric. You are communicating to the emotional centre of your reader. (Classic rhetoric holds that there are three types of appeal, Pathos, Ethos and Logos. Pathos is emotion, Ethos is the credibility of the speaker, and Logos is content of what they are saying. And, arguably, Pathos is probably the most effective when used properly)
How do you do this?
Ask yourself, who is your audience and what do they hanker for?
For me, it is what I perceive to be simpler times. Even the romanticised version.
For others it could be romance itself, the story that clearly has a happy ending.
Maybe it is having a character (not necessarily protagonist) that shares common values that your readers can relate to.
On a more visceral level, if you are writing a screenplay then it could be about getting the music just right (I love the movie Delta Force, with Chuck Norris. It is about as good as most of his movies, however the musical score is done by Alan Silvestri, one of my favourite composers which means I have vastly greater enjoyment than I should. This theory also applies to the old show Airwolf…click and have a listen. It is more addictive than it has any right to be)
I am very much aware that this post may appear vague. I consider it a starting point, as I do not know who your audience is. Let’s have a chat in the comments.
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